Showing posts with label Nakatsu City. Show all posts
Showing posts with label Nakatsu City. Show all posts

Saturday, January 25, 2014

Kyudo Progress

 

Tonight was another classic case of having the chance to go to night kyudo, almost opting out in order to relax at home, but going and having an excellent session. It was a day off and I spent the day with the wife out exploring our new home of Nakatsu. It was raining and I thought about just relaxing and cleaning at home, but ended up going to practice anyway and it was definitely worth it. It's funny no matter how long you practice martial arts, this tendency to opt out of practice still remains strong. I guess I recognize it when it happens better, "Ah, I feel like not going, but I know if I don't I'll regret it." It takes us back to rule number one of practicing a martial art:

Just go to training.

Anyway, I went around 6 o'clock, just before most everyone shows up and the first person I see is the head 8dan (hanshi [8 degree black belt]). I perked up right away as we greeted each other. I knew right away it was worth it to come. Such a high ranking and highly skilled kyudoka is rare and to watch him practice, and have him watch you and comment is a very special opportunity. Getting changed I was aware of him the whole time, and knew he was aware of me. It's kind of like how I feel around the other head sensei in iaido. I feel like they're always critically watching, and so I'm especially sure to be on my best behavior, not without a little healthy anxiety.

When I first told my kyudo sensei in Toyama I was moving to Nakatsu, the first thing he did was grab the official book of kyudo dojos and looked up Nakatsu. When he found that Nakatsu had a hanshi sensei, his eyes widened and he said, "When you go to Nakatsu, go there immediately and start training with him." He also said I should do my best to be on good relations with him and talk to him as much as I can, and that was also the first thing I thought of. This is only the second time I've seen him at training because I can so rarely go at night when he shows up. But like I said, just having him there put me on my toes and made me excited about training.

Anyway, going back to anxiety ... I think it's really helpful in kyudo to have. When I first started, I was shocked at the amount of times that you shoot while other people watch you. At first it's like, "Please don't watch me, it makes me nervous," but I learned quickly you can't say that, and it's just a natural part of the art. We learn from watching and being watched by others. One of the most important things about kyudo is learning to get used to people watching you shoot alone. It feels like someone watching you when you're naked. You probably don't like it at first, but in kyudo it's something you have to get used to, and it will make you a lot better. This is also why it's important to participate in tournaments and tests. It's about doing your best and shooting as you are, even when everyone is watching you, especially under the pressure of competitions and exams.

I used to hate this nervousness and fight against it, trying to relax and eat away at the nervousness so shooting alone and shooting in front of others became the same, but I don't think so anymore. In fact, that nervousness I think makes you a better archer.

I'm not sure about how to explain it in a way that is honest to the feeling. Because it's mostly just a feeling. I feel nervous, and when I do, I shoot better. I miraculously do a lot of the things I've been trying to do subconsciously and for some reason snap into some ideal budo mode where I do my noble best without caring too much about hitting the target. It's when I'm left alone and without any pressure at all that it all falls away.

So the head sensei was there watching, I was nervous, shot a lot, and did fairly well. I was ever conscious of him, waiting for a chance to talk to him. Just to run up to him and bombard with questions or ask him to watch you seems a bit much. Everyone wants his help and attention. To single yourself out and just approach him like he's another archer seems to go against some unsaid rules of protocol. But then again, he is just another archer, and if I have a question I shouldn't hesitate to ask him. I shot a lot, felt pretty good, and right when I was going to go and sit next to him and initiate some conversation I got distracted by other archers who started talking to me. We talked for about 15 minutes and then I walked over to where I thought sensei was, to find him gone. I looked around for him, but apparently he had already sneaked out and gone home when I wasn't aware.

So I'll just have to wait until next time. But no one here is in a hurry, so it's all good.

I finally feel like I'm in a good place now in kyudo. My hand is completely healed and I'm doing my best not to instigate a reinjury, which shouldn't be a big problem. In fact, it helps me focus on proper technique. I've also been going consistently lately, maybe 3 times a week (I hope to make it 4 or 5 on the average) and so I've found a consistent rythm where I'm not embarrassingly bad. I've been around long enough that I recognize most people in the dojo and am not just "the new guy", and have developed friendships with others around. This is probably the most important part of practice, getting along with others. Once you establish that, everything becomes the best it can be. After that, I think at the one of the deepest levels, the greatest part about kyudo is the relationships with others that you make. Definitely.

I've said it before, and will say it many more times in the future, if it weren't for all the incredibly genuinely nice people in kyudo, I would have quit so many times a long time ago.

But anyway, specifically about technique, my two main issues are ones that have been around for a long time:

First, the string pre-releasing. It only happened once today, and I noticed it within the glove before it could slap me. In fact, it happened just before people were about to pull the arrows out of the targets and I was the last one shooting all by myself. I noticed that the arrow had slipped out but still in my grasp. I returned to the starting position, everyone looked at me strangely and I said that it slipped out, and then I told the people to take the arrows so they didn't have to wait for me. The other people around said, "No no no, wait, he's going to do this next one!" And told me to go ahead and do it again.

Goddamn. It's very unnerving to have that happen, and to have everybody watching and waiting while I try again is a special kind of hell. I realized the best thing to do was just bear up and do my best and try again, which I did, and I hit the target to my great surprise.

That was a little lesson in kyudo. We must face our fears and shoot in the face of potential failure and humiliation. Sometimes we will fail embarrassingly in front of everyone, but sometimes we will succeed.

So anyway, I said a long time ago that I realized this problem wasn't just in the kai (draw of the bow) where the string slips out, but in dai san (a transitional period where you change positions with the bow over your head), but then thought that maybe I'll realize it starts much sooner like in uchiokoshi (where you raise the bow). Recently I realize it's earlier than that at the very first moment you grip the string and arrow (torikake). Crazy, but I'm happy I've traced the problem back to here. I had a senior student show me how to do it right, and I did it with great success. But I've forgotten exactly how it goes, and am searching to find it on my own, to some success. This is another thing in kyudo. Learning how to fix something, doing it right, then completely forgetting. It's incredibly humiliating and embarrassing for your self and spirit, but we must accept these facts and humbly move forward doing our best. Failure upon success upon failure, we keep folding over this experience until one day we can just do it.

After that, there's my tenouchi (hand that holds the bow). I have certain bad tendencies I've had from the beginning but haven't fixed completely yet. I had a senior student help me out a lot tonight, telling me things I've heard maybe a hundred times before. I know this so well, but for some reason my hand won't do it. I am grateful for his help and don't regard it with frustration, but consider it helpful advice that will definitely contribute to my future success.

But then again there is no future,

and if something isn't a success now,

it's because I won't let it.

The beautiful humble path of an archer. I've never experienced a budo like this.

I can't wait to go back tomorrow morning.

Sunday, January 19, 2014

Meeting the Head Iai Sensei





So iaido is going well and slow. I meet on Friday mornings to practice with Yamamoto Sensei and one other student and practice on my own time in my apartment (trying my best not to slice up the walls and ceilings.)

But last Snday afternoon I got a call from Yamada Sensei, the head sensei of the dojo. I was surprised to get the call and picked up immediately. He asked if I had time to meet the next morning for training. I was caught off guard but accepted and told him I'd be there at any time in the morning or early afternoon. This is what I'm here in Japan for anyway, right?

So I showed up about 15 minutes early for our 10:30 training, earlier than I usually do. The dojo door was slightly ajar. I went in and said my morning greeting, but nobody was there. Maybe somebody was in the bathroom? I heard nothing for a few minutes, so I assumed I was alone. I thought about getting changed and ready, but then I decided against it. In Japan, and as a student, it seemed best to do nothing until I was specifically told to do something. But then maybe one plays into the stupid student role where the teacher comes in and gets mad at you for not getting changed, but if you got changed the teacher asks you why you took the liberty of getting changed without knowing if that's what you should do. Or maybe that thought is just silly. Regardless, I decided not to get changed.

So I walked around the inside of the dojo looking at the scrolls and weapons on the wall waiting for something to happen. After about 5 minutes nobody came and I felt a little weird just standing in the dojo alone, so I decided to wait outside next to my bike. About 3 minues later Yamada Sensei came around the corner fully dressed and said good morning. We went into the dojo. He told me to go ahead and get changed so I did. When I got out we started talking about budo. He's a nice guy and was asking me the normal questions one would ask like, "Why did you want to start iaido?" This was normal, but he seemed much more inquisitive in a way. He was very silent while I talked, which made me a little nervous. I said that I have a great interest in budo, have practiced a few other arts, and since I found the dojo's website online and I've never done iaido before I wanted to give it a try.

We talked more and he mentioned another foreigner who trained with a partner dojo in Tokyo. He's an American and has been training for a while and is currently a 6 dan in iaido.

Then he asked me about reigi in the other arts I've practiced. Reigi is roughly translated as etiquette, and I thought he meant about formal bowing in and such, so I said that in aikido when you enter the mat you bow and then before beginning you bow one more time in the seiza sitting position. I think he was more concerned about timing. Specifically, I think he was trying to get to the point that in this dojo if the sensei says 10:30, then the student comes with enough time to get dressed, sweep the dojo, and get stretched so that practice can begin at the agreed upon time. At that moment is was about 10:43, and the point was made, those thirteen minutes should be spent training, any getting ready and chit chatting should be done before. He was very polite and matter of fact about it, but I laughed a little inside,

"This guy might be more strict than other teachers I've had before."

But that's good. Part of trying new budo is seeing the way other people do things, and I will do everything to adapt to this new environment. I'm happy he told me this straight up because I've actually been a little weary about the reigi of this dojo. The other teacher Yamamoto Sensei is much more informal, and when I was initially told to come at 10:30 the first day, I did and got changed and we usually just start when we do. Now I know, and if I go to another iaido dojo I'll do the same.

A little later on, the other woman who I usually train with showed up (she agreed to come at 11:00), but it was more like 11:04 and the sensei mentioned that she was late. I could see the look on her face which was the same as mine when he told me.

We got started and we did a lot of the same things we have done with Yamamoto Sensei. I think largely Yamada Sensei was gauging these two new students and making sure that we were clear on a lot of the basics. First he asked me to explain what I was doing when I swung the sword, which wasn't easy, but I did so and he reminded me of things I forgot to mention. He spent most of the time repolishing a lot of the things we had learned. It was great and made me much more attentive of the little details. He's the kind of teacher that will naturally make you a lot more conscious of doing the little details right when he's around.

Here are a lot of the specific details we went over in the class:

-Don't move the body up and down when you swing.

-Slice with the tip of the sword, the landing spot being an opponents face, and from there pull back to your stomach.

-10 back, 8 forward. This is with swinging the sword. Raising the sword to the ready position is arguably the most important, because if you're not there, you can't swing it down, so there is an emphasis getting to that ready position, which makes it a bit fast than the downward slice. Also, it puts a good tension in the movement, spreading the chest and elbows out.

-When raising the sword above your head with the previous points, act as though you're stabbing something behind you.

-The power of the cut comes from your rear hand, the forward hand is largely for guiding the blade, and so tension should be taken out of that front hand on the sword.

-When stepping forward, you step (pat-pat) instead of sliding the feet. Also, when stepping forward, the blade slices before the feet, because that is where speed is most important.

- Also practice in the left stance.

-Keep mouth slightly open to relax, act as though you have a small egg you don't want to crack in your mouth.

-Breath in as you raise the blade, out as you swing down. Hide the breath so that an opponent can't read your intentions and movements.


He's a very nice man, and seems proficient in his art, but honestly I really can't tell well what it means to be a great iaidoka yet. I enjoy his crisp and strict attitude and greatly look forward to training with him again. I'll go to the next normal Friday training with Yamamoto Sensei, but then he asked us students to come again on Sunday.

Anytime I hear the word "Sunday" come from a teacher is a small time of panic for me. I keep myself busy through the week, and Saturday is usually no different with work, errands, budo, or planned events, so Sunday really is my sacred day. I never really worried about this so much until I came to Japan, the number one offender of countries not respecting Sunday freedom. Generally, everyone in this country works hard at jobs or school throughout the week, and so when special group events happen (as they often do with work, school, extra curricular activities) it happens on Sunday. I think when Japanese do relax, they are really good at doing absolutley nothing or drinking a lot, because they usually do have to do something on their days off. Anyway, I cringed at the sound of Sunday training, but then again, this is what I came here to do anyway, so I agreed happily, if not a bit hesitant. The wife and I are strapped for cash after making the recent moves and perhaps this Sunday training will keep me from extra spending. No matter how awesome the budo, I don't think I could ever consistently give away the Sunday.

But then who knows.

The path of the sword continues!

Monday, December 16, 2013

Gaijin Bike Adventure: Kunisaki Penninsula

Saddle the bike and ride!
 
This was the feeling I had on this epic bike trip. Until now I've made lots of small meandering rides around the area I live. That's been great. But this time I needed the full deal: an epic ride as far away as my body and the sun will allow for. I needed to go somewhere magical, and I knew just the place.


 
 
For such a trip I had to go to bed early in order to wake up before the sun. This is harder than it used to be. Something inside of me tries to sabotage these epic plans. I finished work on the Saturday evening, went to onsen, and made the thirty minute bike ride home. I had to eat, but knew if I went to an izakaya like I wanted I'd spend lots of money and drink beer ... both of which would keep me from making the honest bike ride the next day. So I went to the shitty diner-like chain, "Joyful". Surrounded by chattering obachans (old ladies) eating my subpar meal, I had to get out as quickly as possible, get home, and just go to sleep before anything happens to keep me from my ride. It's amazing, you come to Joyful any other night and it's filled with high schoole girls and men in their young 20's who are trying to impress the high school girls. Come here at 9 on a Saturday night, and the old ladies take over the turf. So anyway, I hurried home with my blinders on and woke up the next morning at 5:45, fifteen minutes before my alarm. Well, that's better than waking up to the alarm and not feeling like going, so I got up and began preparing my things and stretching. Then I was off, nothing but the path before me. 
 

 
So, it's mid December, and the fact I'm going off on a bike-ride at this time of year is unbelievable to me after living in Toyama for four years. Actually in the past week, Toyama got dumped on with snow, and it will probably be white until April. That means hanging up the bike aside from necessary trips to the train station and super market. Unfortunately I'll miss out on epic snowboarding and the quiet beauty of the snow that a life in Toyama allows for, but I'll also be able to ride the bike all year long down here in Kyushu, and that's something for me to get excited about. The weather report said sunny weather, and I was ready for it.



No snow, but damn this place is cold in the morning! I had on pants, a long sleeve shirt, a fleece, and a beanie as the normal wear, and a scarf and gloves in case it got cold. Those extra pieces went on immediately, and I tied the scarf around my face ninja style to keep my face from falling off in the freezing wind. It was 3 degrees celsius, but my body was warm, I had successfully fought off temptation the night before, and I had made it right to where I wanted to be. It's only going to get warmer from here.


So where was the magical destination of this Sunday?

The Kunisaki Penninsula.


It's the large penninsula jutting out from the northern side of Oita Prefecture. Below you can see it in relation to Oita Prefecture as a whole. I started from Nakatsu City which is the farthest north western town in the prefecture on the border of Fukuoka, and planned to ride to the center of the penninsula.


Penninsulas in Japan are usually pretty cool places to go. Often they'll be close to large cities, but seemingly cut off from the modern world. Trains don't run in these places because there's no business to be had in such isolation. So Japanese penninsulas are usually composed of lots of small towns and farms around the coastlines, with mountains and temples in the center. One of my favorite parts of the Hokuriku region (Toyama, Ishikawa, and Fukui Prefectures) was the Noto Penninsula in Ishikawa Prefecture, a forgotten land stuck in the past with hidden folk mysteries. Looking at the Kunisaki Penninsula in Oita, I thought it must be the same. When I've looked at the penninsula before from groundlevel afar, it looks like a separate island with many strange mountains. It looks like a video game to me, like Zelda or Mario. The image was captivating, but the land was far. The only way to get there by bike was on a full day trip, so that day was today.


I live north of the Nakatsu City center next to the ocean which is made up of rice fields and houses/apartment buildings. It's really nice apart from the new apartment building they're building a pissing space from the one I currently reside in. (I now curse new construction built just in front of pre-existing buildings, and look at my apartment and realize it's the same. My hands are just as bloodied.) There is a wide road along the coast all the way to the penninsula, which is much better than taking the main road a bit further inland through Nakatsu City.


To the left is the ocean, to the right, the mountains, and in front of me off in the distance are these mountains of the Kunisaki Penninsula which are my destination.


It's not a bad ride, but man it's long. I judge distances often by the number of towns. I live in Nakatsu City. To the east is Usa. After that is Bungo Takada, which is the gateway to the penninsula. In my mind, I pass through one city, and then I'm already at the gateway to my real adventure. In my mind, that's like thirty minutes, but goddamn Usa covers a wide area. It's much smaller than Nakatsu, but while Nakatsu runs more north to south, Usa goes west to east ... nothing but farm fields and shrines ... for a really long time. It takes me about 20 minutes to reach Usa from my house, and then it's about an hour through Usa. Filled with energy and rushed by the freezing morning air, I made the passage as quick about as fast as any human on a bike could.

That is while allowing breakfast time of course, a conbini (convenience store) breakfast bread type thing, banana, orange juice, and coffee. I got the goods, sat on a bench outside, and crammed it all into my mouth, shivering on a steel bench. I drank the coffee while I rode, spending more time with the warm drink to my mouth than not, and so before I knew it my happy morning liquid ration was over. So I stopped at another conbini for another hot coffee, and jumped on the bike again.



Eventually the sun began to rise and I was comfortable. The towns were waking up as I rode past them, as if I was pulling the blanket from off their bodies. Above is a picture that I feel captures my image of Kyushu pretty well. I came here to find another version of Japan, so I'm constantly searching for its individual qualities. It is different, that's for sure. But how? Mmmmm, it seems more left alone (?) It reminds me of New Zealand a bit, there will be cars and houses and gardens that are used, but not perfectly maintained (?) Gardens surrounded by overgrowing bushes. Cars a few years older than the rest. One story houses next to the ocean without extraneous design. It's simple, natural, and less obsessed over. There's also lots of yellow: yellow yuzu fruits, yellow leaves, and other yellow whatevers. I like this image, it definitely has it's own charm. Something about people living in snowy climates with more money changes this.


More ocean. This side of Oita is protected within a bay with Yamaguchi Prefecture (and Honshu as a whole) right across the way. Due to this, it's not much of a swimming area, but it's safe from big waves and tsunami. This allows civilization to be brought right to the shore, which is nice. There is a combination of the fear of tsunami, and the utilization of port industries which makes the Japanese coastline not always a charming place to be. For an island nation, I've been shocked at the lack of beautiful seaside for people to live on and visit. But I suppose as I mentioned, due to the fear of tsunami, cities are built far inland and large concrete tetrapods litter the oceanside tens of meters out to sea. Or perhaps it's due to the fear of invasion of feudal lords in the past, or even modern attacks. Furthermore, a lot of accessible waterfront property in Japan is taken up with industry. I was initially shocked in Toyama the first time I tried to ride my bike along the ocean. For some reason I just couldn't get there. Surely they'd have some kind of pathway for walkers and bikers to enjoy the seaside? Nope. Mostly factories and ports. This is not one of my favorite parts of Japan, but what the hell, can anywhere be perfect? (The idealist in me says yes though. Do something about it, Japan. make me happy all the time!)


Here is another mark of Kyushu: temples and shrines everywhere. I think it has to do with a few things: Kyushu being one of the first places immigrants passed through from mainland expeditions makes people's presence old in this area. Also, the island doesn't have too many dominating natural obstructions. The mountains aren't too high, and there are passages all throughout the island, which means people can inhabit just about anywhere. In Toyama you'll find old culture for sure dating back to the Jomon, but for the most part, you'll have sparse temples and shrines dating back a couple hundred years. In this part of Kyushu they're everywhere and often dating back 1,000 years or more.


Finally I made it through Usa and got to Bungo Takada. It's a small town just off the train line and acts as the gateway to the penninsula. There's not much going on, but it certainly has an atmosphere of it's own, owing largely to "Showa Town". The Showa Era last from 1926 to 1989, and the people in Bungo Takada have built and maintained a part of the town in the atmosphere of the Show Era, calling it Showa Town. There are lots of old buildings and interesting shops, certainly a funny place to find yourself and worth a trip.


And so I'm off! Through this gateway town and on to adventure land.


Along the way I found a Japanese hobbit-hole. Surprisingly nobody was home to offer me a mid-morning meal. What would a hobbit call that particular meal I wanted?


And more small caves.


Kyushu really loves its caves, and its shrines, and putting them together.


I give Japan a C+ for this attempt at a sandwich. With black pepper ham, decent cheese, and a ciabatta-like bread, I sense the effort ... but the fact is that it is 90% bread, and Japan not being able to put more than two slices of meat keeps the disappointment at a high. Actually, there are a few things foreigners don't talk about in this country, and that usually has to do with nostalgic food. For me, it's Mexican food and sandwiches. It actually makes me cringe mentioning them here, and will only be able to manage writing such words a bit further. I LOVE good sandwhiches, ones with interesting varieties of bread, loads of tasty vegetables like pickels and jalapenos and sprouts and onions, along with the conventional tomatoes and lettuce. I love sandwhiches with spicy mustard, good quality mayonnaise, and maybe some oil and vinegar or some other interesting sauce. Then that sandwich has got to have a least two different kinds of cheese, niether of them being Japanese super market sliced cheese. And then, above all else, that sandwhich must be dominated by stacks upon stacks of various meats, turkey, pastrami, ham, roast beef, to the point that your arms get a workout by simply lifting the sandwich to your mouth. THAT IS A SANDWICH!!! I won't even take the time to describe how pathetic Japanese sandwiches are. I'll just say that I've never had a delicious sandwich in Japan ... and that says a lot after four years trying every single one I find.

Oh and Mexican food? It's more of the fact that it's non-existent. Very rarely will you find it, and unsurprisingly it is so Japanized it has nothing to do with the original idea. However, I have found a handful of delicious Mexican restaurants only partially Japanized.

I love Japan, so much in certain ways it makes up for it's limitations, but when you drop the sandwich and Mexican bombs, it's hard not to think about picking up shop and heading across the sea again.

(Though I have decided to live in rural places in Japan. Perhaps in larger cities you can find alternatives. The price I pay for the simple.)


This person however gets an A for their English endeavors. Next to a pond where I ate my Japanese sandwhich-like substance, I found this paper as a piece of trash next to a drainage pipe. This country is amazing for how hard it's people perservere in their studies of English. It's also amazing at how hard the Japanese seek perfection in their English; using combinations of words and intonations that a native speaker hasn't used in decades. Good luck to them all! But I hope they remember, that without being able to have a normal conversation with a native speaker, you're missing a big part of the picture. Wanna meet with me for an hour in a cafe for 3000 yen, anybody???

But I digress.


This is my new friend! What a funny dog. I rode past some warehouse like structure on a hill and out came this guy barking. I didn't sense any aggression, so I stopped. He stopped barking, and wagged his tail. I called him over, he came. I put out my hand, he sniffed it, I tried to pet him, he retreated, he smelled some more, I pet him, and we were automatic best friends. I'm certainly less than a cat person, and this is definitely a dog-dog, so I suppose we're not so picky in each other's friendship. I have a cute dog to pet, and he has a human to pet him, sometimes I guess that's all you need for loyal friendship.

So I pet the dog, we became best friends, but eventually had to say goodbye, so I did and rode on. But then he raced past me, and stared at me as if asking where we were headed. Uh-oh ... I realized that no matter how far I was going to go, this dog was going to loyally escort me wherever that was with zero immediate consideration for his home. The result was going to be a lost dog. I searched for an owner to hold him back to no avail. I spent about a good 10 minutes of honest hand gesturing and rock throwing to convey to him this precarious situation, but he just wasn't getting it. I rode on ahead until there was a fork in the road. Downhill both ways, this was good, I would be able to build up enough speed to outpace the dog, leaving him behind in recent proximity to his home. I wanted to go left, but that's where he went, so sped down to the right. I lost him quickly, and wondered about that strange encounter we had.


Welcome to the Kunisaki Penninsula! Ahead lie funny looking mountains and I wondered what strange things I would find in this magic land.


A temple! Surprise! But I knew this going into it, that this area was famous for a lot of old temples, and I was very curious to the kinds I may find. Here is one built into a cave. It is one of the most famous in the area, called Tennenji. Interesting thing about this is that it is a Buddhist temple, but then right next door is a Shinto shrine. I won't go into the history of the two here, but it reminds me how intertwined these two used to be. It wasn't only until the Meiji Era that such clear distinctions were made between the two, and the different sects within. I think originally each region seemed to have it's own special blend of the two, or whatever else they wanted. What we see today is largely a manufactured editing, presented to look a certain way, instead of carry on the beliefs practiced before.


But if we're going to get specific, this area is famous for Shugendo Buddhism. Here is the brief introduction Wikipedia gives:

"Shugendō (修験道?) is a highly syncretic Buddhist religion or sect and mystical-spiritual tradition that originated in pre-Feudal Japan, in which enlightenment is equated with attaining oneness with the kami (神?). This perception of experiential "awakening" is obtained through the understanding of the relationship between humanity and nature, centered on an ascetic, mountain-dwelling practice. The focus or goal of Shugendō is the development of spiritual experience and power. Having backgrounds in mountain worship, Shugendō incorporated beliefs or philosophies from Old Shinto[citation needed] as well as folk animism, and further developed as Taoism and esoteric Buddhism arrived in Japan. The 7th century ascetic and mystic En no Gyōja is often considered as having first organized Shugendō as a doctrine. Shugendō literally means "the path of training and testing"[citation needed] or "the way to spiritual power through discipline."[1]"" 




I have no experience practicing the religion, but have read about it from time to time and I always thought it was the most ... something ... of the Buddhist sects. I'd have to say I have the most interest in the Zen tradition for various reasons, but Shugendo with it's mountain ascetics and esoteric practices, I likened it more to the magical side of Japanese religion, which I think is really cool. I still think it's very cool, but in coming here I realize how long it's been since I've thought of such things. There was a time I dreamed of being a Shugendo warrior priest practicing ascetic rituals with the spirits while hanging from cliffs.


So a big part of this penninsula is being the training ground and pilgrimmage path to many Shugendo practitioners. Here on this funny rock formation above you can see a small bridge on the left and small shrine on the right. I'll have to come back to this area and climb on these rocks, but not today.


What makes this specific temple of Tennenji so famous is that it's home to a very interesting festival and dance. I'm not exactly sure on the specifics, but two people dress up as demons (or perhaps two demons take the form of humans), one black and one red (wearing the masks shown above) and dance in a fashion such as in the picture below.


They light sticks on fire and have a mock battle, while also terrorizing the bystanders, slapping them with fiery sticks if they so desire, and light other much larger sticks on fire outside. It looks super cool, and is certainly part of the great hidden rural culture in these parts. Sure if you go to Kyoto and visit the main temples and shrines, and read about zen, you're seeing a part of Japan, but there is a whole different Japan that lives off the main train lines, and runs long back into ancient veins. Here deep in the mountains and forests are demon traditions of fire ... and really interesting costumes. Are these really the traditional clothes? They look awfully post-modern to me.

So many things to see and study and learn! But only so much daylight to go and I had farther to ride.


My basic plan was to ride to the center of the penninsula where it seems all roads intersect (check the map at the top again). Making it to the center where there are lots of strange temples and mountains around, I would then hope to climb one of them if time and energy permitted. I have a mountain climbing book on Oita and two of the featured treks were in this area. The temple I had visited of Tennenji lay at the beginning of this center, so I had a ways to go to the end, but I was certainly already deep in the dream land I envisioned. Mountains were everywhere, but not so tall. Lots of strange rock formations. This also seems very Kyushu to me as compared to the large mountain ranges of central Honshu.

I rode further and found myself making a steady incline. I envisioned most of the area being flat except for the jutting mountains, and was surprised at this. I also felt like I was in the middle of nowhere. I certainly was, but it was different than I imagined. The incline only continued, I didn't see the desired mountains in sight, earlier coffees were wearing off, and I began to enter a darkened mood of sorts.

Looking back, there's not much to complain about. Regardless, low dark clouds settled on my mind all did not seem well. I don't even remember exactly what I was thinking or why? I suppose it is the human condition.

Am I getting older? The obvious answer is yes. My years are counting higher, but it's not just that.

The night before I had to fight unusually hard against sabotaging this trip by drinking, spending money, or getting distracted. It felt like I was fighting against the fat weight of some demons who really wanted me to fail. Like it was grating against the nerves in my skin I was fighting. As for my body, I woke up and felt pretty good after the stretch, but it's the coffee. It's like if I have coffee I can do anything, and if I don't I want to inflict pain on innocent things. I know there are addictions to coffee and whatnot, but really? Is it really so strong? I used to fall in and out of dark thoughts easily and lightly. Anytime I start pushing the bike up a hill this happens, but goddamn, this time it felt so heavy, and it wasn't going away anytime soon. What am I thinking about? What is so heavy as to blind me from the excitement of where I am? When did this happen? Why?

Is it only going to increase with time? What is the purpose and path of this darkness?

I pushed for a long time until I saw a tunnel, something I would usually see in Toyama, but this may be the first one I've found around here on the bike. A nostalgic flash interuppted my stagnating mood, and on the otherside was a steep downhill.

This produced very mixed feelings.

After such a long push uphill, a downhill like this is the greatest thing in the world. That downhill crusing at top speed is the adrenaline gold of these trips. But I knew the only road I would return by was this, and that if I was going to go down, I was going to have to come back up. It was getting later and I had gone even farther than I imagined in pursuit of these mountains. Those mixed feelings drove me mad and I parked the bike and started at the forest.




Like someone pulled down this dream-like curtain before me, I got off the bike without taking my gaze from the forest. Mouth slightly open, I stumbled thoughtlessly to the wooded edge of the road. I was slightly light headed for the sudden change in movement. I walked to the edge of the forest and subconsciously stopped.

This is what you do in Japan.

You walk on the path, and stops where it tells you. There is man, and there is nature. Man can make man into nature with paths and things, but without that, man does not go into nature.

This is not me.

In my home, my childhood was based upon walking into the woods, diving into nature. I walked where I wanted. But I stopped. What has happened to me? I wanted to go in, but there was some small Japanese fear inside of me like I shouldn't, or even waste the time. I saw that there was a light trail into the woods workers had used before. I looked to the woods and saw that it had been heavily affected by man, with lots of fallen trees from chainsaws. I stepped into the woods, maybe thirty meters or so. Stepping on soil, brushing against bushes and leaves, climbing over stumps gives me a feeling like none other: This is where I belong.

I knelt down and just stared at the forest.

I'm not sure how much time passed. I felt the forest. This was different than my thoughts, my plans. I felt the weight of all those plans I have been holding, those chains. What a fucking slave, I thought. Constrained to the path and what others have told me is safe. In choosing the path, I have been blindly accepting the pressures of its expectation. The Fear. I have not rested from these pressures in a long time. Here in the forest I just look. I just breath. I am alive, I am strong, and that is enough. I am also the forest, and it is also me. Everything is OK, because this is just life, a strange amalgamation of phenomenon that eats, lives, dies, and creates. I thought of my plans in search of the mountain I wanted. I thought of kyudo. I thought of learning Japanese, getting married, having friends, writing on the blog, teaching English, being succesful, being home on time, eating the right things, not drinking the wrong things, thinking the right things... everything down to every ridiculous letter, I thought ... I am a fool.

I am alive, I am strong, I am the forest, and everything is OK.

I pulled myself from the forest because I have to move on.


I got back on the bike and proceeded further, just a little, I said. That downhill was looong. It was incredibly fun to ride, and at the same time I cringed thinking about pushing my bike up it again.

At the bottom of the hill I soon found my mountain, small marks of civilization, and an onsen.

All that's left is to climb it. From there the long return will commence.


As you can see, the mountain is lone and steep. It's not so high at 605 meters, but man was it the tallest 605 meter mountain I can remember climbing. Just trudging straight up.


Up up up through the forest. It reminded me of Toyama, lots of small cedar trees and steep climbs. It felt good to be in my boots in this forest.


Up and up and up, what a mighty little mountain this is. I was happy, but also frustrated as one can be on the climb. I wanted to be at the top. I dreamed of what captivating views I would have. Being one of the tallest mountains in the penninsula I imagined all of the surrounding Zelda/Mario-like hills. I imagined seeing the sea, my home in Nakatsu, and maybe even Oita City on the other side.


The top! It only took about 45 minutes, and I had made it. It had the feel of a small mountain top, trees and picknick benches.


On such low mountains there are often still lots of trees to conceal good views, so I climbed one of them to get these pictures.


The views!


OK. I'm not trying to be a miser, though it may sound like it, but I was kind of unimpressed with the view. I'm not saying they should cut down all of the trees so we can appreciate it all, but couldn't they build a small tower to take in the impressive view? I wanted it to be sunnier, I wanted to see more, I wanted it to be more like the video game images in my head. Instead it was real, on this early winter cloudy afternoon. There's lots of mountains around here, is this really the one featured in that book I had? I had reached the top, and the only feeling I had was that to descend. So down I went.

This was good. I found the mountain I wanted, I climbed it: success. But more dark thoughts came in. Not so dark, but questioning. I thought of how much effort I had put into this trip. I thought of how I'm the only person I know who would do this kind of thing. I thought about how wonderful a thing it is to use discipline to get to bed early, get up before the sun, eat healthy, ride a bike where you live, then far to places unknown, where you find old temples, cultures, and then climb a mountain to top it off. I thought about how I have to do these kinds of things to feel alive and be happy, but that nobody else does it. I thought how lonely that can be. I thought of how disappointing the mountain top can be sometimes. I forget about the long rides home.

I had some very revealing thoughts about zen and local traditions. I thought of how limiting zen is. It's a very interesting philosophy, it has a very enlightening practice ... but it makes sense that there are so few people that can understand and practice it.

It's super boring and difficult.

Who wants to just sit there in an uncomfortable position for such long periods of time? For what? For who? How lonely, and boring, and difficult the zen life can be. There's no way normal people can enjoy such a thing. People talk about how universal zen is, how anybody can do it, anywhere, anytime, and it's wisdom is revealed to all who try ... but how few people do you know who can really do it? I think a lot of foreigners get excited about zen and all of its jazz, but they make it something else ... they make it something cool, trendy, or even something we have to do, which is just more trash. I think of a lot of Japanese people I know who don't indulge in the same thoughts, and it's absolutley no surprise no one cares about zen here. People don't want want boring, lonely, and difficult. Why am I the only person I saw on the mountain that day? Or on the road on bike? Or waking up at 6:00 on a freezing Sunday morning? Why do I like this boring, lonely, difficult stuff? I don't know exactly, but I do.

Anyway ...

nobody wants to sit zazen and climb little moutains ... you know why?

Because most people work jobs that are lonely difficult and boring. We already do all of that shit, why would we make our hobbies even more so? Life is full of boring, difficult, and lonely. Work is full of boring, difficult, and lonely. I'm as young and American as the next and indulge in the belief that I should be paid large amounts of money and fame for doing exactly what I want, but ... but ... that's not happening, and it probably won't, because that's just an idea. For the most part I think people in the history of the world have had to put up with a lot of shitty shit including work, life, and responsibilities.

So you want to know what they did in their free time instead of climb mountains and contemplate Buddha???

They got drunk, lit things on fire, and danced around in funny masks and costumes.

It makes perfect sense now. In laboring agricultural society, especialy one pressured by military ruling classes, that sounds like a great thing to do with your free time.

I don't need to do the same exactly, because I live a different life ... but maybe it makes sense if I don't climb mountains and sit zazen and practice budo and write on a blog ... blah blah blah .. all the time.


Realizations. More mysteries. I do not belong to the past, nor the future. I am living a life now that has little definition. In this modern world we are responsible for creating our lives, and largely have the freedom to do so. Ultimate freedom, yet the limitations of reality at the same time. The illusions of society. My mind is broken and useless. It makes no sense. All I know is that I have this body, and I need to get it home before it is too late.


Aren't these cedar trees strange. So long and thin and then just the smallest bushiness at the top. This is very strange.


I went to the onsen and rushed in just before they closed the restaurant. I ordered something quickly and was hackled by an extremely drunk old man. While I was trying to order he was yelling at me telling me to sit down.

"Hey, come on over here and sit down ... Hey, come on ... HEY GET OVER HERE AND SIT DOWN!"

I was tired and ignoring him, the lady at the counter was ignoring him too but very uneasy and embarrassed. She ushered me to a separate room, but the guy kept yelling at me and walked closer to me staring at me with blackout drunk eyes and speaking rude Japanese unintelligible to anywone. I asked him if he was OK, and he stared at me very awkwardly for a long duration. I stared back a bit, but then shrugged him off and turned away. He said something else, then tried to get up but fell over and crawled back to his chair. The waitress came over and closed the door to my area, and the old man continued to hackle. I got my meal, and heard that the lady had called a taxi for him. I heard the taxi man come in. The lady was asking him to leave but he wouldn't. I knew the taxi man was there but he was dead silent. I could see it all behind the closed door: This completely wasted obnoxious old man ordering more drinks, cursing at others, refusing to go home, the very kind old lady waitress asking him to go home, and the awkward taxi man just standing there doing nothing. This wasn't going to end soon, so I decided to step out and pay. The old man seemed surprised to see me, as if he didn't remember me at all from 15 minutes earlier. I looked at him and the others and they were silent. I paid for my bill, said thank you, and the drunk old man said, "Whoa, he's good at Japanese." in a funny innocent way.

"Hey man, the restaurants closed, it's time to go home." I said to him.

The old lady sat for a moment and then said,

"Oh no no no no it's OK, don't worry, you can just go."

I said "whatever" in my head and left. There was nothing for me to say or do, and that was best for me anyway. I just felt bad for everybody. I felt bad for the lady who had to deal with this guy but couldn't tell him to go home. Bound by culture and her job, she had to be as polite as possible while trying to coax him out. The taxi man the same, having nothing to do but politely stand there until somebody fixed or didn't fix the situation. I thought of the obnoxious old man who could have any reason for being so surly. What a strange world we live in. Only in Japan would they have the discipline and patience for such an ordeal. I thought of America where the lady waitress would tell the guy to get out, the taxi man who would try and help do something, and a bystander who might say something. But no ... not here. I respect the Japanese way of doing things, and admire it in a lot of ways, but man sometimes I think there's got to be a better way.

So as you can tell, it was a day of quickly changing moods. This happened, and it really put a wet rag on the mood. That along with the thought of a return trip which may take as long as four hours (which it did) after all that had happened, I thought that maybe I didn't need to come so far. Getting into onsen was a small goal of the trip and I had found one, but there just wasn't enough time for it all.

I quickly entertained the thought of just continuing to the end of the penninsula and staying the night. But that return trip was there no matter what. The only way I was getting back with my bike was on it, and I couldn't afford to blow the money necessary to stay the night, plus trying to get home the next day before work.

So I headed home after my epic adventure, exhausted by the ride, confused by the world, and haunted by that drunk old man.

I can't help but think that in some strange way, this is just what I want.

 
USA Driving School! Where I can just walk in and they'll give me a driver's license and a car good in Japan!!!

Yeah right. It's just the name of the town, Usa (pronounced oo-sah). I heard that in early modern manufacturing times companies would have their products made in the town so they could say, "Made in USA."

What a loooooooooooooooooooooooong ride home. It was a magical land, but I don't think I'll be going back to the Kunisaki Penninsula on the bike again anytime soon. When Satomi gets here we'll take trips in the car ... nice warm happy trips. Maybe next year when I forget how hard it all was I'll saddle the bike for a summer ride or something.


What a strange place we live in. Each and every one of us, with our own little world of our own. "What is yours like?" I wonder.

Thank you very much for reading this post.

Friday, December 13, 2013

My First Iaido Practice

What a very special day in my budo life. After this much time on the earth, I've come to really appreciate beginnings, "first days", and such. Our life is sprinkled with them sparingly here and there. Any day we begin a new training, or anything at all I imagine, it's the first last and only time that will ever happen. I will appreciate this first day and the great changes that will grow from it.

I feel like a puppy that just learned a new trick. Man, it's been a long time since I started something new like this. So fresh. I am the unmolded clay, and today were the first imprints. When starting something where so many movements are unknown, so much honest concentration is used, nothing but focusing on what your teacher just told you and trying to put all of those pieces together before he comes back again. It's been a long time since I've been in this place.

And MAN do I reek of newbie green wood. :)

So, last week I went to watch a class. After that, he said come back next Friday to fill out paper work, and maybe I can do a little training ... a little he said while smiling. Well, I brought my aikido dogi (training outfit) and hakama (black traditional Japanese warrior skirt [ha, I like that description]) first to see if it would work to train in, and then to actually use in it in case it was alright to start swinging weapons around. Maybe he would have me watch again, or maybe he would have me train. In case of the latter, I was damn well going to be ready.

So I got up and went through my morning routine. Saddled the bike, and began the thirty minute ride to the dojo. It rained all night, but had stopped just before I left, lucky me. I cruised at a medium high speed and it felt great. Then my bike slipped on a metal grate and had a little mini crash falling over and scraping my hands. Luckily I was right in front of a conbini and there weren't more than a handful of people in cars to see my embarrassing folly, so I went in, cleaned up, and continued on. I got to the dojo a few minutes early and Sensei walked out just as I pulled up.

"Ohayou gozaimasu!"

"Oh, ohayou gozaimasu!"

We both had big morning budo smiles.

I went in, we chatted for literally a minute and then he asked me if I brought my dogi.

"Yes, I did" :)

He said go ahead and get changed.

SEE! One must always be prepared to pick up the stick and swing.

I was really glad he asked me to get changed, of course because that meant I was going to train, but also because I was worried about my random pieces of a uniform working out. I have my aikido dogi, but I wasn't sure if it was different than the dogi they usually train in. It's a different company, and a little different, but as far as I know, a dogi is a dogi and it's good to go. What I was really curious about was the hakama. I have a hakama for kyudo, and I'm all good and used to it, but it always looked a lot different than what non kyudo people used. When watching my aikido partners put their's on, for some reason it looked so different. But I began to put mine on while sensei watched, and he said that it's all good. There's just one difference in the last bit when you tie it. I have to say, I felt super awkward at first, half kyudo, half aikido, starting iaido. But after I started swinging the sword I forgot about it all, and I now stand as this strange amalgamation starting a new journey in iaido. My super hero outfit is good to go.

He said at first we'll start with iaido, and after a while if things are working out I can begin the jo.

That's perfectly fine with me. This time, slow and steady is OK. Let's start with iaido and move from there. OK OK OK.

During this time there is another woman student who apparently just started about a month ago. She's in the same boat and hasn't started the jo yet either. It looks perfect. We can begin together in iaido and continue to wherever we go. It seems as though my Friday mornings from now on will be like this: Sensei, the other woman, and I.

We started training, and the teacher spent his time between the two of us. He gave me a bokken and showed me how to swing it in the mugai-ryu iaido fashion, then told me to do it a bunch while he taught the woman. He came back in a few minutes and showed me how to swing it while stepping. Then he'd go back to the woman and come back a few minutes later to show me what I was doing wrong, then go back. Then he came back, showed me how to unsheath and sheath the wooden sword, then went back. Next time, he gave me a real sword and told me to practice. WOW THIS IS COOL! I thought, and dangerous, so I was super careful and slow at first. But after a few times you get used to it and I ended up leaving the dojo without losing my fingers or killing anybody, so I'd say it went well.

But wow, this is all new.

And I totally suck at something again.

Perhaps it's not quite that. You can't really suck at something if you've never done it before. You can only suck at something if you've already had experience in it.

A more accurate sentence might be: I suck at kyudo.

This iaido, is just completely foreign ground, like arriving on Jupiter for the first time.

And oh how much I love it. I couldn't slice the broadside of a drunken samurai if I tried. Everything is weird and wrong and awkward. I couldn't help but laugh at myself looking the mirror, concentrating so hard on doing a simple movement and being so wrong. How many times have I been here before in all of the other arts I've tried? How many times have I been just a stupid white belt, and here I am again. It's a thrilling feeling, and I understand that this is what it's about. It's about starting something completely new in a world where you know nothing, and making the steps of progression which require nothing other than simple time, effort, and instruction. This is how it goes, and nobody just walks in moving like a master.

But, it is different this time, and my past experience does have a great effect on this new beginning.

"How so?" you ask?

WELL!

I think a lot of learning a new martial art, and being good at one, includes two major things:

First, is fitting the shape. This is about putting your body in the places it needs to be in order to do what you're trying to do. We attempt this at first, and maybe we get the general points, but our bodies expend a large amount of effort in doing so, and often find ourselves off-balance and tense.

Next is relaxing. Can you fit the shape while not expending extra effort? Can you move through those shapes and keep your balance?

I think once you achieve these two goals of fitting the shape and relaxing you can start moving on to more intermediate techniques ... but for now ... in the beginning ... it's all about these two points.

So for me, my budo experience makes this a bit easier or faster. When I first begin, I'm just as fumbly as the next beginner, but when I look at my teacher and listen to his voice, I'm picking out specific points I know he is trying to emphasize. I focus all of my attention on what he is trying to get me to do, and I'm mimicking him as closely as possible. My eyes and ears are soft, picking up everything without expending extra energy on the uneccessaries. There is nothing but focusing on the task at hand, but also everything else in the periphery at the same time. This is fitting the shape. Next is relaxing. Of course I'm finding myself off-balance and tense at times, but I can feel that my recognition of this is much faster than it used to be and I can immediately relax the muscles. So it's not perfect, but it's fast. Also, I suppose there is a sort of obeying straight lines and circles in budo as well. Behind all of the movements are shapes and circles, and aligning your body and movements with them is what a lot of budo is about. For example when you cut horizontally with the blade you make a large arc. Once the teacher tells me this, I make connections to the wide arcs used in aikido and it helps me. Also, when sheathing the blade, one must make the blade and the saya (sheath) a straight line, and sheath the blade along the line. In kyudo there are a lot of movements where you must keep that straight line while holding the bow or arrow, and so that feels familiar as well.

But along with that positive experience, are also old habits which can disrupt the new technique. There were two big ones that I noticed, and will have to be careful to watch out for.

First is the position of the hips when swinging the sword down. In Aikido we practiced with a bokken (wooden sword) which is dangerously similar. I say dangerously similar because they are basically the same weapon, but are used differently. In aikido when we swing the sword down, we start and end in the hanmi position (belly button facing a forty-five degree angle from the front instead facing straight ahead) and cut at a slight angle. In iaido (at least with this first introductory strike), we have the hips facing forward the whole time, and so the blade follows a straight vertical line. Now matter what I do, my hips naturally rotate changing it all, which will be something I need to be mindful of when practicing iaido.

In connection with that, when bringing the sword over your head, in Aikido we would let the sword flip down our backs before swinging again. I suppose this practices relaxing your body and flowing instead of inserting strength, and so I got used to it. But in Iaido, this definitely won't fly, and when bringing the sword over your head, you definitely don't go past parallel with the ground. Interestingly enough, this was a big problem I had with aikido at first. I didn't understand why you let the sword move so far back, and I thought it was incredibly unpractical. I suppose that is because the purpose of the aikido sword is to help empty hand techniques and relaxing, whereas the purpose of iaido sword is to ... best cut something (?).

Wow ... what is the purpose of iaido!? I don't know ... but you can bet I'll be writing about what it might mean.

OK, so next big difference is in stepping/walking. He had me practice swinging the sword while taking steps forward. This is like sliding forward, permanently staying in a right (or left) fighting stance, but you're really stepping forward. It's like a step-drag movement in karate. Actually that is exactly what I thought of when going through this. Also, I was naturally stepping like I do in kyudo, where your feet don't leave the ground. In kyudo you slide your feet across the floor as you walk, maintaining your connection with the ground. However, in Iaido, he said we must step forward and bring the back foot forward by stepping, not sliding. He said we must step forward keeping our weight above our center of gravity. He demonstrated this by holding a stick straight up and down to represent his body weight. If you connect the bottom of that stick to your foot, and step forward with that foot while keeping your body weight on your back foot, the stick goes diagonal, which is not what we want. Instead, we keep our body weight above our front foot, so that when we step with that foot, our body weight is above it, keeping the stick vertically straight. This is so we can keep our balance and have a stable structure once we make that step. That all clicked with me well, and I was impressed with how clearly the sensei was able to convey this point. The part that is difficult for me is not dragging that back foot. No matter what, my instincts tell me to let it drag, but I'll have to work on picking it up slightly when stepping.

I left full of new things to practice on my own, and next time I'll come back ready for more, with a pocket full of cash and the required paperwork. Just as I thought in the last week, I didn't know how much this training was going to cost, but I knew it was going to be more than what I had been used to with aikido and kyudo. It ends up being about $50 a month for iaido. When I decide to start jodo it will become $90. That is definitely more than I'm used to (kyudo $10 a month, aikido $30) ... but then again I'm also getting a teacher's almost full attention and beckoning when I'm with him. This is different from kyudo when you go in by yourself and receive instruction as a volunteer favor, or aikido when your renting dojo space and working with quite a few other people. I understand, I can pay, and there's no problem.

But it's hard not to think about money when it comes to budo ... but that will require another post.

I also need a sword. Before when I talked to Sensei I thought he said I could get one close by pretty quick, but today when I asked he said I should find one somehow or maybe get one on the internet (from a credible source of course). It's important to have a real sword in the early training in order to get used to the weight and feel, but on the other hand I don't know how long I'll continue this so dropping a lot of money on a sword right away isn't such a good idea ... mostly because I'll beat up the sword and scabbard a lot with my flailing technique in the first couple years. But I need one.

When I left the dojo, I met the main sensei who had just picked up someone from Tokyo who had come to train.

I'm not sure exactly what the situation is, and I'm running out of steam on this blog as you are too probably ... but I think the Sensei who is teaching me is the second in command, with the main Sensei teaching at other times with other people. But I met this Sensei by coincidence when I was leaving and we had a great little interaction. We made chit chat and he was super nice and funny ... more like a normal Japanese old man than the other guy. Basically he asked what sword I was using and said I was borrowing the other Sensei's. He said using another person's sword was not good. So I asked what I should do and that I was ready to get one as soon as possible. I saw the wheels turning in his head and imagine some kind of solution will appear next week when I go in.

This is how people stay young, by trying new things that they are really interested in. I feel like so many old channels of excitement have lit up in my imagination. All of a sudden I want to do a lot of dorky things I like to do like play zelda video games, Magic the Gathering card game, and read fantasy novels for some reason. I want to ride my bike into the forests. I want to create. I don't want to destroy myself, I don't want to forget, I don't want to run away.

Until I get the real blade, I thought about how I was going to practice all I was learning on my own. I have a whole week! At this point I can't go 15 minutes without running through the freshly learned material.

So, I bought my first sword,

for 158 yen at a children's toy store.

You do what you can with what you have.

Wish me luck.